Slice of Life: The next time…

At an ILA panel on Saturday, graphic novelist Gene Yang shared how much superheroes and comics meant to him and for his reading life when he was growing up. The panel, titled “Disrupting a Destructive Cycle,” focused on how we can work to disrupt the systemic inequalities in our schools. I didn’t get a chance to go to ILA this year, so I’m thankful that this important conversation was livestreamed (you can view the archived video here).

During the panel, the moderator, journalist Nikole Hanna-Jones, asked each of the panelists to talk a little bit about the value of seeing themselves (or not) in the books they read. Yang’s response (emphasis added):

“When I was kid it was hard to find stories with characters who looked like me or lived like me in the books that I was reading, in the shows that I was watching, in the movies I was watching. And I think you just gravitate . . . grab what you can.

I am a lifelong superhero fan. I think one of the reasons I love superheroes so much is because every superhero has that dual identity. They are negotiating between two different ways of being. And as an Asian American, that was my reality. I had two different names: I had a Chinese name I used at home and an American name I used at school.  I spoke two different languages, lived under two different cultural expectations. So when I watched Clark Kent change into Superman in my comic, somehow that felt familiar. I tried to find what I could.”

There is so much in Yang’s response that resonates with my own experience—and I’m going to guess likely resonates with the experiences of many POC. I could write a whole post and then some on this (and I will). But that’s not what this post is about—not entirely. Read More

Slice of Life: Embarrassment

It was the first day of class, and we talked about embarrassment.

Not in the “share your most embarrassing moment” get-to-know/team-building exercise way. One of the most embarrassing moments of my teaching was when I went to school with two different shoes on. And as you can see in the picture at the right, they were really different. But after laughing about it with  my students—and getting teased a bit from my colleagues—everything turned out okay. The world didn’t end and now it’s the story I tell when someone asks us to “share our most embarrassing moment.”

But that’s not the embarrassment we talked about yesterday. The embarrassment we talked about is more powerful and pernicious, permeating our practice, often without us even realizing it.  Read More

How do we challenge our students—and ourselves—as readers?

Like most English teachers, one of the things I love most about the summer is time to read for pleasure. While my favorite reading spot in the winter is that comfy corner on my sofa, in the summer, nothing beats sitting poolside, the sun warming my face as I escape into another world.

I know many of my students feel the same way, which is why giving students opportunities to read for pleasure during the school year and during the summer is so valuable. Choice matters. There are too many books in the world for students to be limited by the choices their teachers make for them.

Now, to be clear, I’m not suggesting that teachers are trying to limit students’ experiences. After all, the foundation of our work is to broaden our students’ horizons. And when we assign this book or that, it’s usually because we believe that the texts we choose will do exactly that—broaden their experiencesespecially if it’s a text students might not otherwise choose for themselves.

But what if, instead of choosing a specific title for students to read, what if we encouraged them to broaden their horizons by making choices for themselves.

CONTINUE READING AT PAWLPBLOG.ORG

4 Ways of Looking at a Mentor Text: Incidental Comics

The school year is winding down—and I find myself thinking more and more of warm poolside days—yet everywhere I turn, rich mentor texts seem to come my way. I’ll find something and think, “Oh, that would have been perfect to use with ____” or “That would have worked great with ____!” Although it may be too late to use these ideas this year, I click my bookmark button and tuck them away for next year.

One mentor text I can’t wait to use is Grant Snider’s Incidental Comics. Although I’m usually suspicious of most social media “suggestions,” I have to thank Facebook’s algorithm for introducing me to Snider’s work. I’m surprised that I hadn’t come across Grant Snider’s work before. As someone who loves the way words and pictures can work together, whether it’s through infographics or graphic novels, the moment I started browsing Snider’s work, I fell in love. And once my teacher-brain took over, I couldn’t stop imagining the possibilities for reading and writing for next year.

This post was originally published on Moving Writers. CLICK HERE TO CONTINUE READING.

Fearless Reading (and Analysis)

Ever since the NCTE Convention in November, I’ve been thinking a lot about the theme of advocacy. How can we advocate for our students—and the teaching practices that we know will best serve them? How can we help students advocate for themselves—on their own behalf and perhaps more importantly, on behalf of others? How can we help students advocate for issues that can help make their world and our society a better place?

As educators, we know the power of empathy. Just yesterday, as we finished up our unit on Adichie’s Purple Hibiscus, my students and I discussed how important that novel is to our understanding of others around us who may be feel vulnerable or disempowered. Literature has the unique power to allow us to walk around in another character’s point-of-view, to broaden and deepen our own experiences so that we can become, ultimately, more understanding fellow human beings.

But lately I’ve been thinking that literature, by itself, may not be enough. If we read books, no matter how rich and wonderful and engaging they are, but we fail to expose students to study today’s relevant social issues, we miss an opportunity to help students to read the world. And in this era of #fakenews, reading the world may be more important than ever.

This post was originally published on Write. Share. Connect. at the PA Writing & Literature Project Blog. CLICK HERE TO CONTINUE READING.

Argument in the Wild: Reading & Writing from Media-Rich Texts

The idea that “everything’s an argument” seems almost too obvious these days. After all, talk to almost any adolescent today and it’s clear how aware they are of the ways in which they are constantly being persuaded, whether it’s an editorial from the Wall Street Journal or The New York Times, the latest newscast from CNN or The Daily Show, or the pop-up mobile ad for an item students were browsing earlier.

That said, we all know that as tech and media-savvy our Generation Z students seem to be, students may still lack the close reading, analytical skills necessary to understand not just that they are being persuaded, but how that persuasion is happening. And because “everything’s an argument,” the sheer volume of messages can be overwhelming.

This post was originally published on Moving Writers. CLICK HERE TO CONTINUE READING.

3 Favorite Writer’s Notebook Prompts

I have a confession. I didn’t always use a writer’s notebook, either as teacher and especially as a student. It’s hard to remember what that was like—Where did I keep all my thoughts? How did I keep track of it all? Writer’s notebooks—or journals—were something I remember learning about in graduate school, and while I tried a bit of it when I first started teaching, I quickly abandoned the practice in favor of the neat, clean handout I could create (and control).

I think it was the open-endedness of the writer’s notebook that intimidated me: What prompts would I use? How would I know what prompts would work? And for what texts? Do I even have time for this?

Fast forward 15+ years, and I can’t imagine teaching without a writer’s notebook. That is not to say that I use them in all my classes. I’m still working on using them more deliberately and consistently in my literature-based courses. But writing? How do you teach writing without a writer’s notebook? I can’t imagine.

This post was originally published on Moving Writers. CLICK HERE TO CONTINUE READING.

Slice of Life 14: Disruptive Teaching

“If you’re not challenging systems of power and privilege, then you’re perpetuating them.”

I’ve heard this line in some version over the last few months, at various workshops and other PD, including more than one NCTE session last fall. I’ve been thinking about it a lot, especially in the context of teaching and my role as an educator. In what ways, I wonder, have I perpetuated systems of power and privilege instead of challenge them? Read More